Haute couture collection delivers a mischievous layering of past and present, neither simply nostalgic nor straightforwardly futuristic
Considering that Christian Dior’s most recent financial results showed a 13.4% sales rise to €747m (£560m), in the first six months of last year, we may assume that the designer Raf Simons had free rein to show Monday’s haute couture collection in any Paris venue he chose.
So it is worth taking a moment to consider why he chose to erect an indoor building site – a freshly painted, plushly carpeted one – in the garden of a shuttered 18th-century museum in central Paris.
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